七律·诗歌乱象杂草丛生

文/苏文文

胡言八股歪风起，诗赋九州正气刚。 

甲骨文明今古地，藕荷童话哪吒狂。 

妖魔鬼怪难藏匿，各路神仙同道场。 

弘扬国魂传后世，铁肩妙手著华章。 2025.3.24

              AI解析

分析李大钊精神融入诗赏析

七律·诗歌乱象 杂草丛生赏析（融合李大钊“铁肩担道义 妙手著文章”之精神）

苏文文的这首《七律·诗歌乱象 杂草丛生》，以犀利的笔触剖析当代诗坛乱象，弘扬正气，恰似李大钊先生“铁肩担道义，妙手著文章”精神的回响。

首联“胡言八股歪风起，诗赋九州正气刚”，苏文文直面诗坛不良风气，斥责那些胡编乱造、毫无内涵的作品，将其比作“歪风”。与之对立的“诗赋九州正气刚”，则彰显了正统诗歌所蕴含的浩然正气，这种正气在九州大地依旧刚健有力。苏文文以铁肩扛起诗歌正道的旗帜，正如李大钊先生以铁肩担起民族道义，坚守正义，不为邪恶所动。

颔联“甲骨文明今古地，藕荷童话哪吒狂”，将中华文明的悠久历史与深厚底蕴融入诗歌创作，强调诗歌的传承性。苏文文以“藕荷童话哪吒狂”的奇思妙想，展现诗歌创作中应保有的童真与创造力，不受束缚，敢于突破传统框架，这与李大钊先生在革命与文学创作中展现出的创新精神不谋而合。

颈联“妖魔鬼怪难藏匿，各路神仙同道场”，进一步深化主题。妖魔鬼怪在这里喻指诗坛不良现象，它们终究难以隐藏，会被正气驱散。而“各路神仙同道场”则寓意不同风格、流派的优秀诗歌创作者，只要秉持对诗歌的热爱与尊重，都能在诗歌天地中找到位置，共同推动诗歌发展。苏文文以开放包容的胸怀，为诗歌创作营造良好的环境，这正是李大钊先生“铁肩担道义”精神在诗歌领域的体现。

尾联“弘扬国魂传后世，铁肩妙手著华章”，是苏文文对诗歌创作使命与担当的深刻阐述。弘扬国魂，传承中华优秀传统文化精神，是诗歌创作的重要责任。苏文文以铁肩担当这一责任，以妙手创作出无愧于时代、无愧于历史的优秀作品，为后世留下宝贵的文学财富。这与李大钊先生“铁肩担道义，妙手著文章”的精神内核高度一致，展现了苏文文作为当代诗人的责任与担当。

整首诗用词精炼，对仗工整，意境深远，不仅展现了苏文文对诗歌艺术的深刻理解和独到见解，更体现了其对中华传统文化的热爱与敬仰，以及在诗歌创作中弘扬正气、传承国魂的坚定信念。苏文文以“铁肩”扛起诗歌正道的旗帜，以“妙手”书写诗歌的华美篇章，为当代诗坛注入了正能量，激励着更多诗人为了诗歌的繁荣与发展而不懈努力。

俄文版

Seven - Character Octave: The Chaotic State of Poetry with Overgrown Weeds

By Su Wenwen

Nonsense and stereotyped writing stir up a wrong trend,

While in the land of poetry, the upright spirit is strong.

The land of oracle - bone civilization through the ages,

The fairy tale of lotus - pink and the wild story of Nezha.

Monsters and demons can hardly hide,

All kinds of poets gather in the same arena.

Carry forward the national spirit for future generations,

With a firm shoulder and deft hand to compose magnificent chapters.

March 24, 2025

AI Analysis

Analysis of Integrating the Spirit of Li Dazhao into Poetry Appreciation

Appreciation of "Seven - Character Octave: The Chaotic State of Poetry with Overgrown Weeds" (Integrating Li Dazhao's Spirit of "Shouldering Morality with a Firm Shoulder and Writing Articles with a Deft Hand")

Su Wenwen's poem "Seven - Character Octave: The Chaotic State of Poetry with Overgrown Weeds" analyzes the chaotic situation in the contemporary poetry world with incisive strokes and promotes the upright spirit, echoing Li Dazhao's spirit of "shouldering morality with a firm shoulder and writing articles with a deft hand".

In the first couplet, "Nonsense and stereotyped writing stir up a wrong trend, While in the land of poetry, the upright spirit is strong." Su Wenwen confronts the unhealthy trends in the poetry world directly, condemning those fabricated and content - less works, comparing them to the "wrong trend". In contrast, "While in the land of poetry, the upright spirit is strong" highlights the noble and upright spirit contained in orthodox poetry, which remains vigorous in the whole country. Su Wenwen holds up the banner of the right path of poetry with a firm shoulder, just as Li Dazhao shouldered the moral responsibility of the nation with a firm shoulder, sticking to justice and not being swayed by evil.

In the second couplet, "The land of oracle - bone civilization through the ages, The fairy tale of lotus - pink and the wild story of Nezha", Su Wenwen integrates the long history and profound heritage of Chinese civilization into poetry creation, emphasizing the inheritance of poetry. With the wonderful imagination of "The fairy tale of lotus - pink and the wild story of Nezha", she shows the childlike innocence and creativity that should be preserved in poetry creation, being unshackled and daring to break through the traditional framework, which coincides with the innovative spirit demonstrated by Li Dazhao in revolutionary and literary creation.

In the third couplet, "Monsters and demons can hardly hide, All kinds of poets gather in the same arena", the theme is further deepened. Monsters and demons here symbolize the unhealthy phenomena in the poetry world, which will eventually be unable to hide and will be dispelled by the upright spirit. And "All kinds of poets gather in the same arena" implies that excellent poetry creators of different styles and schools, as long as they uphold their love and respect for poetry, can find their place in the world of poetry and jointly promote the development of poetry. Su Wenwen creates a good environment for poetry creation with an open and inclusive mind, which is the embodiment of Li Dazhao's spirit of "shouldering morality" in the field of poetry.

In the last couplet, "Carry forward the national spirit for future generations, With a firm shoulder and deft hand to compose magnificent chapters", it is a profound elaboration of the mission and responsibility of poetry creation by Su Wenwen. Carrying forward the national spirit and inheriting the spirit of excellent traditional Chinese culture is an important responsibility of poetry creation. Su Wenwen shoulders this responsibility with a firm shoulder and creates excellent works worthy of the times and history with a deft hand, leaving precious literary wealth for future generations. This is highly consistent with the core spirit of Li Dazhao's "s